Gnostic Meditation Astral Perception OF Far-flung SCENES
In many instances of clairvoyance of this kind, there is found to exist a strong connecting link of mutual interest or affection, over which flows the strong attention-arousing force of need or distress, which calls into operation the clairvoyant visioning.
In additional cases there seems to be lacking any connecting link, although, even in such cases there may be a subconscious link connecting the clairvoyant with the scene or event. An interesting example of this last mentioned phase is that related by W.T. Stead, the English editor and author, while having happened to himself. Mr. Stead’s recital follows:
“I got into bed and was not capable to go to sleep. I shut my eyes and waited for sleep to come; instead of sleep, however, there came to me a succession of curiously vivid clairvoyant pictures. There was no light in the room, meditation and it was perfectly dark; I had my eyes shut also. But, notwithstanding the darkness, I rapidly was conscious of looking at a scene of singular beauty. It was as if I saw a living miniature as regards the size of a magic-lantern slide. At this moment I can recall the scene whilst if I saw it again. It was a seaside piece. The moon was shining referring to the water, which rippled slowly on to the beach. Right before me a lengthy mole ran into the water. On either side of the mole irregular rocks stood up above the sea-level. On the shore stood lots of houses, square and rude, which resembled nothing that I had ever seen in house architecture. No one was stirring, but the moon was there and the sea and the gleam of the moonlight on the rippling waters, barely when if I had been looking on the genuine scene. It was so beautiful that I memorize thinking that if it continued I should be so interested in looking at it that I have to never go asleep. I was wide awake, and at the same time that I saw the scene I distinctly heard the dripping of the rain outside the window. Then, quickly having not whichever apparent object or reason, the scene changed.
meditations The moonlight sea vanished, and in us place I was looking right into the interior of a reading-room. It seemed as if it had been used as a school-room in the daytime, and was employed as a reading-room in the evening. I bear in mind seeing one reader who had a peculiar resemblance to Tim Harrington, although it was not he, hold up a magazine or book in his hand and laugh. It was not a picture—it was there. The scene was just as if you were looking through an opera glass; you saw the play of the muscles, the gleaming of the eye, every movement of the mysterious individuals in the unnamed place into which you were gazing. I saw all that having not opening my eyes, nor did my eyes have anything to serve with it. You see such things when these when if it were with another sense which is more within your head than in your eyes. The pictures were apropos of nothing; they had been suggested by nothing I had been reading or talking of; they straightforwardly came when if I had been able to look via a glass at what was occurring somewhere else in the world. I had my peep, and then it passed.
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